Sofia Bernasconi

Visual artist, audiovisual producer, art curator.

The third version brings together creations that reflect on spatial constructions based on bodily diversities. It will be broadcasted through Plataforma Mínima's YouTube Channel, every day at 8:00 pm.

Under the concepts of "Micro spaces and body-spatial poetics", from December 13 to 17 in digital format will be held the third version of the exhibition "Y el Cuerpo se Convirtió en Control Remoto", an initiative promoted by Plataforma Mínima ("Minimal Platform") y que tendrá formato digital. Se trata de una programación que incluye más de 18 obras audiovisuales de pequeño metraje y cuyas exhibiciones se realizarán a través del Canal de YouTube de Mínima, cada día a las 20:00 horas.

"We are very excited about the response to this call. We wanted to focus on the digital formatnot only because of the health context, but also because we know that this past year, the conditions to create led most of us to a plane of audiovisual experimentation from our own physical and fictitious spacesIt is a way to enhance and capture a historical scene that will undoubtedly take us on an experimental journey from each of the proposals," said the production team.

The week-long program seeks to offer a space for the dissemination and training of audiences in the field of audiovisual creation in the aforementioned formats, considering the wide range of audiovisual creation and reflection on the bodyThe exhibition is composed of a selection of 18 titles that will allow viewers a journey through various formats, creative, corporal and aesthetic narratives.

"We seek to position this exhibition as a biannual instance and an exhibition window for those experimental works that dialogue and reflect on the body and its relationship with geographies, spatialities, anatomies, temporalities, among other themes. Through this format, we have begun to generate networks with creators who are in tune with the themes that also define our creative line and how we perceive the reflections that today open up from dance as a discipline expanded to other creative fields," Mínima argued.

The performances of "Y el Cuerpo se Convirtió en Control Remoto" will be from December 13 to 17 through Plataforma Mínima's YouTube Channel, activities supported by the UCSC's Cultural Extension Office (FAEAC Project), UCSC's Audiovisual and Multimedia Office and the collaboration of the Video Dance Festival "Agite y Sirva" (Mexico), and Laboratorio Intermitente (Argentina). In addition, this year there will be written exercises that will reflect on the selected works.

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